With Lucy Peltz (eds.), Producing the Past: Aspects of Antiquarian Culture and Practice 1700–1850, Aldershot 1999, 214pp.Bodybuilding: Reforming Masculinities in British Art, 1750–1810, New Haven and London 2005, 284pp. His exhibitions at Tate Britain include Gothic Nightmares: Fuseli, Blake and the Romantic Imagination (2006), John Martin: Apocalypse (2012) and British Folk.Gothic Nightmares: Fuseli, Blake and the Romantic Imagination, exhibition catalogue, Tate Britain, London 2006, 224pp.William Blake: Seen in my Visions: A Descriptive Catalogue of Pictures, London 2009, 128pp.Bruder and Tristanne Connolly (eds.), Queer Blake, Basingstoke 2010, pp.74–86. Gothic nightmares : Fuseli, Blake and the romantic imagination / Martin Myrone with essays by Christopher Frayling and Marina Warner additional catalogue. ‘The Body of the Blasphemer’, in Helen P.‘Instituting English Folk Art’, Visual Culture in Britain, vol.10, no.1, 2009, pp.27–52.“Something Too Academical”: The Problem with Etty’, in Sarah Burnage, Mark Hallett and Laura Turner (eds.), William Etty: Art & Controversy, exhibition catalogue, York Museums Trust 2011, pp.47–59.At the Centre he holds the role of Head of Grants, Fellowships and Networks. John Martin: Apocalypse, exhibition catalogue, Tate Britain 2011, 240pp. (5) Ibid, (Act IV Scene II Verse 82) (6) Myrone, Martin, Gothic Nightmare: Fuseli, Blake and the Romantic Imagination, p152 (7) Henry Fuseli 1741-1825, p72. Martin Myrone is Convenor, British Art Network, based at the Paul Mellon Centre for Studies in British Art, London.by Myrone, Martin/ Frayling, Christopher (Con)/ Warner, Marina (Con). With Jeff McMillan and Ruth Kenny, British Folk Art, exhibition catalogue, Tate Britain 2014, 144pp. Gothic Nightmares: Fuseli, Blake And the Romantic Imagination. The exhibition is curated by Martin Myrone and accompanied by a fully illustrated catalogue featuring essays by Professor Sir Christopher Frayling on The.

Gothic Nightmares by Martin Myrone